I will have a set of 3 new works up at the next art exhibit at the Goodfoot in SE Portland! Opening this coming Thursday, August 25th, upstairs lounge & pool room open 5pm-2:30am.
The “I Am, Therefore I Think” show will feature original works from artists all across the Portland Metro area, and will serve as a platform for creative sociopolitical, subjective/personal, expressive, and diverse commentary, questioning/challenging, and observation.
I’m excited to participate in this show, as I had been strongly affected by the ongoing shooting tragedies going on in the news over this past summer, and have been trying to come up with a creative response to the thoughts, fears and feelings that recent events had left me with. I had been encouraging those around me to do the same.
Art and creative expression can be powerfully healing, eye-opening, & transformative in the wake of tragedy, horror and the distresses of life. I haven’t been the only one, now or historically speaking, to try and find a way to process world events and personal experiences through art making. It is the basis of what I believe, and have come to know, both through direct, personal experience, through making my own work, as well as fostering and witnessing the creative works of others.
What I wound up envisioning, takes a nod from my parents’ era and the formation of art commentarists such as Leon Golub, Anselm Kiefer, Jenny Holzer, Andy Warhol and the like- but in this instance, it turns the 1950’s habit of “world culture” appropriation & exploitation on its head.
I was easily able to find some images of Adinkra, or West African cultural symbols, online. I can’t help but appreciate the almost-too-simple convenience of being able to get this info directly from an African blogger and peace activist who’s kindly made these resources freely available to the public, along with clear descriptions of the meanings they hold:
“Adinkra are visual symbols, originally created by the Ashanti of Ghana and the Gyaman of Cote d’Ivoire in West Africa. They represent concepts or aphorisms, and are extensively used in fabrics, pottery, logos and advertising.
The symbols have a decorative function but also represent objects that encapsulate evocative messages that convey traditional wisdom, aspects of life or the environment.” – Mawuna Remarque Kotounin, siliconafrica.com
From the list of symbols, I chose three which I felt represented a healing energy & commentary that could be displayed & enacted through the use of transforming them into illuminated art pieces on display. These three certainly aren’t the only ones that have such potential, but given just how many symbols I had to pick from, it provided me the luxury of fine-tuning what I wanted the artworks to convey to the viewer.
This has led to a light box series that focuses on the specific meaning of each symbol:
As I constructed the pieces, I noticed that the way the LED light hits the front of the piece- normally a frustrating part of the process for me to try and mitigate- actually enhances the “message” of the work in this case:
‘“I am the King, and everything comes from me, everything shall return to me. I link you with everything. Your actions affect others, no matter wherever you are. Your thoughts influence others, therefore watch over your mind. Think positively, constructively and scientifically.”
Chief of the Adinkra Symbols Symbol of greatness, charisma and leadership. This symbol is said to have played an inspiring role in the designing of other symbols. it signifies the importance of playing a leadership role.
This is a symbol of the waves of thought impulses. You are in the middle of The One Life, the Life that permeates the whole Universe. This is a wonderful opportunity offered you to positively identify yourself with Universal Mind, with the Ultimate Source of Life.”‘- Queen Nzinga Maxwell
… I love it when things come together like this!
I hope you can drop by the Goodfoot this coming Thursday evening, or any evening this coming month, to check out “I Am, Therefore I Think” & see all three of my pieces on display. May they shine a little light out into the world. I hope to explore and expand further with the light box series- stay tuned for future offerings!
Hi folks, I just signed up with Artflakes.com to provide you with quality fine art prints, posters, greeting cards, and more- all featuring prints of my original work.
You can see my profile page on Artflakes here.
They are one of the few art print services that will identify purchasers to me, the person generating the content, which is valuable to me, a woman running a small art business who would like to build a customer base from positive community relations- not just as a nameless content producer online.
And right now, I am motivated to grow that business- so if you would and could, please take a look, try the site out, make a purchase or two, and help me get some real world feedback on the service! Also don’t forget to “like” work as I put up images you might enjoy, share with others, and leave me some (hopefully constructive) comments on my Artflakes profile! You will definitely receive my undying appreciation. For extra devoted fans, I might even throw in a freebie 🙂
Any experience with using Print On Demand services that you’ve found helpful? Feel free to comment on this post and share your experiences, good bad or otherwise.
I just hung artwork at Proper Eats Market & Café in the charming St. Johns neighborhood in Portland, this past Memorial Day. I have something like ten pieces, mostly in the dining area, plus this stained glass piece in the front window:
This piece was a miracle “rescue”, of sorts, as it had been just about finished several years back- but the vintage carved wood frame that the image had been collaged and painted on to had started to split and fall apart! I would suspect it was a piece from the 1930’s or earlier, as the frame had been cleverly assembled from many smaller pieces of wood, and the molding that held the glass to the frame was one long piece of twisted paper, secured by tiny nails. I was so afraid that the exposed glass would shatter! And I just couldn’t, at the time, see how to reconstruct the piece. So it was wrapped up in a spare tablecloth and some cardboard, stored in a corner, and forgotten for a long time.
Finally, in search of some new pieces to put in this show, I got bold enough to unwrap it. By this time, it had sustained several moves and a number of reshuffles from one corner of living space and/or art studio to another. There was some rattling going on inside the package. I was worried. What would I find?
When the piece was eased gently out of its casing, I saw that the rattling had come from a random piece of plastic that had somehow gotten inside the package, hastily wrapped as it had been. The glass was completely intact, all of the frame pieces present. What’s more, it had been packaged together with a number of other pieces of raw glass that had been saved for other projects- with no extra wrapping or padding. Somehow, it had survived all of that traveling and jostling around, and so had all of the other glass inside. Unheard of!
So, I carefully reassembled the frame, resealed the glass with sturdier, more modern means, and carried it on down to the show. Eh Voilá: You will get to see a piece that almost wasn’t meant to be.
The remainder of the works show off my interest and focus in the past few years, of combining assemblage and fiber arts/beadwork techniques on canvas and 2-D works. Here you will have a chance to examine them up close.
And if this weren’t enough: I have the space for TWO whole months- June through August- so expect some changeup of work, and hopefully some intriguing new items, part way through the season.
And if THIS, plus the chance to visit one of Portland’s fine independent markets and their tasty food & beverages, were not enough- the show will be up during “The Constitutional”, St. Johns’ yearly art celebration event, happening June 11th. Read more about it here, then come out and have a good time up on the N. side!
Come down to the People’s Art of Portland Gallery this Saturday, from 2-9pm, for the grand opening of the Big 500 show 2015! Bring a can of food for the food drive.
I will have five panels in the show. You can’t miss them as they are all super-3D, and they light up with portable color changing LED’s! I think of them as “abstract deep paintings with light”, but a standalone idea would be light boxes. If this goes over well, I might be convinced to make actual wireless light box sculptures that can stand on their own.
The show is pretty simple: 500 artists have created a multitude of panels for the show (some do up to 20 at a time!) and they are all for sale, cash/credit & carry, at $40 each. The panels are displayed salon style, so that all you see is the art- although the artist’s name is on the back of the panel. The overall effect means you have a chance to experience a whole range of works at once, and find those that really speak to you. It’s one of the biggest- and funnest- shows at People’s all year!
You can visit People’s on the 3rd floor of Pioneer Place Mall, in the West wing. Typically the other galleries- Mark Wooley, AIR and OneDer, should also be open for your gallery opening and shopping needs.
I will be volunteering as a gallery “floater” during the opening, so I hope to see you there and say hi!
I recently went to my friend Lesley Burke’s art opening at Blondie: A Salon. It was a friendly, inviting atmoshpere in one of downtown Portland’s vintage office buildings, still operational as a mix of apartments and street front businesses. The elegant backdrop served to show off Lesley’s visionary and dream like, richly layered oil paintings and small works quite well. Later in the night, DJ’s had the intimate but enthusiastic crowd bumpin! You can visit the event Facebook Page for the event to see more photos and info from opening night.
You may still be able to catch the show while it’s up. Visit Blondie: A Salon at 1225 SW Alder St., Ste. D, Portland, OR 97205. Stop by and say hello to the owner and you might earn yourself a discounted first time hair cut too!
Join the Amalgamated Feminism group and Gallery Mini on First Thursday, October 1st, for a group show “by artists who are trans and cis women to provide feminist art that empowers and challenges the status quo.”
The goal of this timely event, as described on the FTAN invitation, is “to create an engaging and memorable installation that enhances awareness of feminist issues.”
Amalgamated Feminism is also promoting a drive for menstrual products to be distributed to homeless women- a much needed and under-supported service in the Portland community. Please bring a fresh box of tampons, pads, etc. to put in the drop box!
I will have an assemblage piece in the show (above), entitled “Keep the Home Fires Burning.” It has many fun and interactive elements for you to investigate in person. I have a personally relevant statement to go with it. It could be for sale to the right person. Please contact me directly for more details. I am planning on being at the opening, but I’m not able to visit the entire time.
To see my piece up close & in person, and experience this ground-breaking show, visit Gallery Mini on First Thursday between 6:30-9:30, at the Everett St. Station Lofts, 328 NW Broadway St, Unit #115, Portland, Oregon 97209.
Go HERE for more info on Amalgamated Feminism.
Go HERE for more info on Gallery Mini.
Go HERE for the invitation on Facebook.
We look forward to seeing you!
I am in the process of R and D on some new items; here shown, a prototype Android tablet cover under construction. The design is lifted from an art print book, presumably made and signed by that year’s class, from my father’s first year at the School of the Art Institute in Chicago- May, 1950. The book title: Flatly Spoken.